You can find 'Arena - Produced By George Martin' HERE and Desert Island Discs 1982 and 1995, and George Martin Record Producer on the Listen page.
RIP dad. I love you. I'm so proud to have been your son. I'll miss you more than words can say. Thank you for the all times we had together.— Giles Martin (@mashupmartin) March 9, 2016
George Martin was a gentleman above all. May he rest in peace. Our thoughts are with Judy & the family at this sad time. -Olivia and Dhani— George Harrison (@GeorgeHarrison) March 9, 2016
God Bless George Martin, the greatest Music Producer of all time.— Yoko Ono (@yokoono) March 10, 2016
Peace and Love to Judy, Giles and the family. pic.twitter.com/ADUMUcBFCq
Thank you for all your love and kindness George peace and love xx😎✌️🌟💖 pic.twitter.com/um2hRFB7qF— #RingoStarr (@ringostarrmusic) March 9, 2016
"Merger with NEMS
On 13 January 1967 Stigwood signed a deal with his friend and colleague Brian Epstein to merge their two companies. The Beatles were by now no longer touring, and Epstein was tiring of the demands of his ever-expanding business. He was keen to reduce his involvement in NEMS Enterprises, the company he had founded in 1963, so he decided to strike a deal with Stigwood.
Why Epstein decided to merge with Stigwood is uncertain. There had been numerous other offers made for NEMS over the previous couple of years and Epstein is reported to have turned down more than one multimillion-dollar offer from American interests, so it is unlikely that he chose to become a partner with Stigwood simply for financial reasons.
According to author George Gunby, Epstein told The Beatles' publicist Alistair Taylor that Stigwood had originally offered to buy NEMS, but the deal eventually became a merger, in which Stigwood would have to put all his company assets into NEMS; in return he would received a reciprocal shareholding in NEMS, plus a salary, an executive position as co-managing director, and access to all of NEMS now-considerable financial and other resources.
It was a beneficial arrangement for Stigwood, and it effectively placed him at the pinnacle of the British pop industry in one step, but Epstein seems to have been about the only person in NEMS who was keen on the idea. Alastair Taylor is reported to have exclaimed "You must be joking!" when Epstein told him of the merger. Epstein was also considering handing over his role as manager of The Beatles, but when the Fab Four learned of this they were outraged. They evidently disliked Stigwood intensely. Interviewed in 2000 by Greil Marcus, Paul McCartney recalled the group's angry reaction:
"We said, 'In fact, if you do, if you somehow manage to pull this off, we can promise you one thing. We will record God Save the Queen for every single record we make from now on and we'll sing it out of tune. That's a promise. So if this guy buys us, that's what he's buying.'"
Consequently, Epstein stayed on as manager of The Beatles but he handed responsibility for most of his other acts to Stigwood.
The NEMS' staff were also reportedly unhappy about the deal. The company had expanded rapidly growing from fifteen staff in 1964 to eighty in 1966. Epstein had taken over the Vic Lewis agency in 1965, (bringing in Donovan, Petula Clark and Matt Monro) and Lewis became a NEMS director, but many staff members found Lewis' abrasive manner difficult to handle. According to Gunby: "...(they) could see the same problems arising, multiplied tenfold, when Stigwood moved in. His autocratic style would be a time bomb ticking beneath people who had stuck by Epstein through thick and thin."
Gunby says that Epstein told Derek Taylor that the merger with Stigwood would bring new talent into the fold and would strengthen the operation. Taylor remained unconvinced—Stigwood, he said, had "a ruthless reputation, a cavalier style that upset more people than it pleased." Epstein himself soon found himself at odds with his new partner—he was reportedly unhappy about Stigwood's spending, was upset by Stigwood renting a yacht for The Bee Gees, and was also angered by Stigwood's unilateral decision to send Alastair Taylor to America on a business trip, a plan Epstein overruled. It is claimed that Epstein subsequently decided that he didn't want Stigwood in the company."
Restoration of The Beatles 1 Video Collection: Part 2/5
See the Watch page for more about the Big Night Out shows.
From Klaus Voormann’s book "Warum spielst du Imagine nicht auf dem weissen Klavier, John?" (not available in English).
[Klaus talks about the last photo he took of George and how sad it makes him to look at it…]
“After our little expedition [around the garden] we sat around together for a long time and he wanted to know how my family was doing. He always asked about them, it was important to him to know if everything was really alright. “What’s Christina doing, does she still have her help organization with the Sioux?”
George knew about the problems of the Native Americans in the USA. Olivia’s brother worked as a teacher with the Navajos and both knew about the catastrophic conditions in the Indian reservations.
“Yes, it seems to be something like a destiny in her life.” George nodded. “Yes, that happens to some people, they can’t do anything else then. Actually, every one of us has a role to fulfill on this planet, but only a few people know that. Most think that we’re only here to get a lot of money very quickly and to walk on the sunny side of the street. What Christina is doing surely isn’t easy but it’s admirable. Where does the money for the project work come from?” I was always amazed how deeply George delved into a subject when he was interested in it. I told him about the momentary problems in getting enough money, and that Christina wanted to go the reservations in four weeks with a team of experts to build another building for the youth. I told him that the Indians grow hash. George chuckled. “You don’t mean the kind you smoke, do you?”
He knew exactly that I meant that kind. We talked about how much one can make with this environmentally friendly material: clothing, building materials, paper. When I told him the story about how the FBI had mowed down the fields a few days prior to the harvest the summer before, he couldn’t believe it. “That’s impossible. I thought the reservations were not connected to them. The DEA and the FBI shouldn’t be mowing anything down?” Unfair things could drive him crazy. “Yes, and that’s why she wants to insulate this youth building with hash. In Germany, near Karlsruhe, there is a company that makes finished hash mats. They would donate all the material, but the organization is lacking money for the transport.” “How much?” asked George. “We have an offer from a moving company. Around five thousand dollars. That’s a lot of money, but it has a symbolic value to the Indians, to show what would be possible if the fields were left to them.” “Call Christina. She should fax me the offer. I have some good contacts to English moving companies. Maybe I can help you and get a better offer.” I called Christina right away and she was of course elated. Any cheaper offer would be more than welcome.
When I arrived home, Christina already greeted me with a huge smile on her face. What had happened? Christina had, as discussed, faxed the offer to George. Two hours later, his assistant called with the request to be sent to bank account number of Christina’s organization Lakota Village Fund. “George wants to pay for the shipping costs.” “But he only wanted to find a cheaper moving service for us?” Christina was speechless. “I don’t know anything about that. He told me to send over the money for the shipping right away. Good luck, Christina.”
Well, that was George. And not just him, that’s how all the four members of the Beatles have always been. They help and support things which the public doesn’t even know about.
Only a few weeks later, George called again. He was in Going, but this time not in a hotel, but at the house of his friend Gerhard Berger. I had been very worried, because there had been many reports about his poor health in the press. I knew he was in Switzerland a lot, at a specialist, but no one could really tell me what my friend was going through. His call relieved me, because it was the same old voice, filled with his typical dry, humorous comments.
So I drove to Austria again, but this time with a strange feeling in my stomach. What could I expect? In Going there was a relatively long stretch up a small mountain road, until I reached a typical house in the pseudo-Alpine style. I was brought into the house by an employee. Olivia was working on the computer. When she saw me, she came toward me. She seemed sad and asked me to follow her out onto the terrace. It was a wonderful sunny and warm day, and we had a beautiful view of the massive “Wilder Kaiser” [mountain] right in front of our eyes. Olivia tried to prepare me for everything gently. We waited for more than an hour for George.
He came out of the house and had a hat on his head. His face and body looked puffed up. The result of all the therapies. His laughter and shining eyes didn’t make you think of a very ill man. He sat down next to me and I avoided the usual silly “how are you”. It wasn’t necessary to ask him. He started talking about his health without any prompting.
“It’s half as bad, Klaus. I’m okay. The doctors got everything and it’s going uphill again. Believe me. Except I think I should change hairdressers.” Laughing, he took off his hat and displayed his head, which was only covered with a few chunks of hair of different lengths. “What kind of camera is that you’ve got there, I think I have the same one. Let me see.” As if he hadn’t even noticed my speechlessness, George kept talking and took the digital camera out of my hand, which I had bought a few weeks earlier in London. We talked about that for a while and George showed me a few tricks as to what one could do with it.
George wasn’t just an excellent driver, he was also devoted to car racing. He had a lot of friends in the scene. But he couldn’t stand Michael Schumacher. He always complained at the television when Schumacher drove in a race. On this day as well, as we watched a live show of a Formula 1 race in Gerhard Berger’s house. “Kick him off the road!” he would yell every time Schumacher passed one of his colleagues. I was always amused at that. George, usually quiet and peaceful, with Formula one and especially Schumacher, he became enraged. Nothing could move him away from the television screen. He barely looked up when I accidentally knocked over a huge flower vase and flooded Gerhard Berger’s living room.
The longer I spent with George that afternoon, the more he convinced me that he was on his way to getting better. He had big plans, wanted to make some necessary changes at Apple. “It annoys me to see that the whole world makes money with our heads, and we can’t manage to get a decent merchandising concept together.”
I knew what he meant. The subject merchandising has been a problem since Brian Epstein. He underestimated it back then. After a few hours, we both felt like taking a leisurely walk. We walked over the fields of the smooth mountains, but George could only walk slowly. We had to stop several times. His strained breathing gave away that he was actually too weak for this, but we wanted to keep going. Or did he just pretend to be the energy-laden man? His invitation was his secret goodbye to me. He wanted to have some nice hours with me, laugh, plan and give me advice for the future.
“When are you going to finally write your own book? You experienced so much. Every idiot who only shook our hands feels the need to write a book about us. Why not you, Klaus?”
“Because every idiot does it. It would like a betrayal to me. Everyone would say: Of course, now here comes Voormann too.”
George looked at me in disbelief. “Don’t talk bullshit, Klaus. You don’t have to write about how big my dick is. Anyway, what do you think we do? Or all the people at Apple? Neil for example. There are so many people that make money off of the Beatles myth. That’s why it bothers me that we can’t finally organize our merchandising concept.”
George was breathing like a locomotive, and we had to sit down in the field again, so he could recuperate again. We were both laying in the grass looking at the sky. “You know, death isn’t really that special, not nice or bad. It’s just a vehicle to get us to the next step or level.”
He spoke about death the way others speak of food and drink. “I’ve been here long enough. What more do I want. I’ve lead a privileged life. I’ve pretty much experienced everything one can experience. If I get called away now, then the time’s right. Believe me, I’m not scared.” And while he talked about this, we both looked at the clouds moving past us in the blue sky. The mood was peaceful and also a bit happy.
We walked back slowly, and he told me about his newly bought house in Switzerland and the little studio in which he could work. Back at the house, we both looked forward to a cup of “good old English”. “Come”, he said after a while, “I’ll show you my newest video production.”
He put a tape in the video recorder and grinned cheekily. It was unbelievable. George had filmed himself. Cross-eyed, bald and with a missing tooth, he sang into the camera. “How does it feel to be one of the beautiful people.” We laughed until we cried.
We listened to George Formby songs until late into the night, and when were hungry later that night, we went into the kitchen, where he made cheese sandwiches and each of us a cup of Horlix. If I had know that this would be the last times with George, I would not have gone to bed, but would have stayed up all night by his side.
But George didn’t want me to know. He let me drive off believing that he was healed and that there were great things in store for us.
In October, one heard through the media that he had been admitted into a clinic, that the doctors didn’t have much hope and so on.
I didn’t want to believe it and told every caller that George was doing well, since I had just seen him a few weeks before in a good condition. I talked about all of his many ideas and that he wanted to record a new LP. Today I know that I talked myself into that. I wanted to prevent, with all my strength, that my dear friend was dying.
Beginning of November, I tried to reach Olivia and sent an e-mail. Her answer confirmed that George was in a special clinic. He was very weak, but they were not giving up hope. Suddenly the phone was always ringing. Editors and journalists wanted to secure interviews with me in case George died. That everyone believed it was plain to see. I felt horrible and couldn’t understand this attitude. My little George was dying and they were trying to get the suitable people for his eulogies. I didn’t answer the phone anymore and hide away in the basement to play piano for hours. Christina successfully kept everyone away.
On November 29, it happened. A ZDF editor called us after he had received the news over the ticker. For me if was one of the worst moments in my life. John’s death hit me very hard, but George? The news of his death shocked me. I didn’t want to speak to any journalist about it, not on the phone, not in any TV show. For days I was bombarded with phone calls, but I couldn’t say anything. Only a very minimal amount respected my feelings and understood. Some were tactless, that hurt. Not because of me, because of George.
In mid December, a package arrived from California. The return address was Olivia’s office. It was the last Christmas present and the last Christmas card from George and Olivia. Even that he had organized before his death. It showed an angel with a lotus in its hand and the words Love and Peace.
The first summer after George’s death, Dhani and Olivia invited close friends to a little ceremony for George. It was a very emotional event, very positive and very delicate, completely without the press and all the usual attention. There it met, the small “gang”, that pulls itself through George’s life noticeably: Eric, Paul, George Martin, his first wife Pattie, Astrid, brother Harry, Neil Aspinall and the loyal Joan, who already worked at Friar Park before George bought it. And again the fascination of this park was felt. The weather permitted the event to take place in the garden. Small burning candles floated in the pond, and at the end, Dhani played a piece of the tape with George’s last guitar sounds, his planned new LP. It was an instrumental piece, George’s voice was missing and he was still there. While George’s typical guitar playing wafted through the park quietly, the visitors walked around almost meditatively. Everyone was saying goodbye in their own way, nobody spoke and many let their tears flow freely. Me too. Oh George, I miss you so much!”
The book (in German) is available from the Klaus Voorman Shop.
Posted by Roger Stormo at Monday, February 18, 2013
Book Available Here
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Got to get you into my life: Loyal PA to The Beatles, Freda Kelly, is finally telling her story.
They were the biggest band in the world and she was their biggest fan. "You were there in the beginning," George Harrison told her. "You're there at the end." Freda Kelly was The Beatles' PA for more than a decade. She ran their fan club and was a trusted member of their inner circle. Yet her story has remained untold – until now.
Breaking her silence for the first time in 50 years, Ms Kelly gives a unique insight into the band she idolised. Just 16 when she saw them play at the Cavern in the early Sixties, a year later she was working for the band and part of the extended Beatles family.
Ringo Starr's mother, Elsie, "was the nearest to a mother figure for me. I just adored her." Paul McCartney's dad, "Uncle Jim", took her drinking, and George Harrison's father, Harry, taught her ballroom dancing.
As for John Lennon's aunt, Mimi: "It wasn't that you were frightened of Mimi: you just watched your p's and q’s.”
According to Paul McCartney's stepmother, Angie McCartney: "The Beatles saw her as a sister and the families saw her as a daughter.”
Now a grandmother in her late sixties, Ms Kelly beams as she remembers having "crushes" on each of the Fab Four. But did things go any further than that? Speaking in a new documentary, Good Ol' Freda, named after a dedication by The Beatles on one of their records, she laughs: "No!" Then she quickly adds: "Pass. There are stories but I don't want anybody's hair falling out or turning curly. That's personal!" The film has its world premiere at the SWSX festival in Austin, Texas, on Saturday.
Regret at failing to answer her late son's questions about The Beatles, and wanting to leave a legacy for her two-year-old grandson, Niall, prompted Ms Kelly to speak up in the end. "I would like him to be proud of me and see how exciting my life was in the Sixties and the fun I had.”
She could "visualise the devastation" after the death of the band's manager, Brian Epstein, in 1967. "He was the anchor for everything." Towards the end of the Sixties "the penny was dropping with me that we haven't got any Beatles as a group any more”.
At the age of 27, pregnant with her second child, she quit and lived "a normal life like everybody else”.
Still living in Liverpool, and working as a secretary, she is tearful thinking about old times. "It is shocking how many people have gone that I knew. Fame and money doesn't mean anything; all the wealth doesn't cure cancer does it? I worked with a lot of good people, I did. I loved them.”
But her memories also bring a twinkle to her eyes as she declares: "I'm still a Beatle fan. So although there's a 50-year gap since I started it, I still like to think that I'm back where I was in the beginning.”
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Here’s the blurb I put together for my blog back then…
‘John Lennon Shouts Catchphrase “Can You Hear Me Mother?”
I have just discovered John Lennon shouting Sandy Powell's catchphrase, "Can You Hear Me Mother?" - an oft heard phrase in our home from my Dad who copied Sandy's voice accent too. John does exactly the same sing-song voice - copying Sandy as if singing the notes of his spoken voice (if you know what I mean).
This can be heard towards the end of the long note on "Whatever Gets You Through The Night" at about 2:42.
Something about Sandy...
Sandy Powell (b 30 Jan 1900 d 26 Jun 1982) Sandy Powell was one of the most successful comedians of his generation. He started performing at the age of five when his mother lied and said he was eleven! He was one of the first comedians to realise the importance of records and released a whole series of 78s of his sketches that sold in the millions. Rather than take an outright fee he was canny enough to take a penny per disc.
Sandy showed the same Yorkshire acumen in his film career starting in 1933 with Pathe Pictorials' short two-reelers of his stage shows before moving into feature films with The Third String (1933) and Can You Hear Me Mother (1935). Inevitably he was invited by John E Blakeley to Manchester where he starred in the first film to be produced at the Dickenson Road Studios - Cup Tie Honeymoon (1947). Until his death, he remained a huge success on television and the stage, being awarded an MBE in 1975.’
Here’s the Whatever Gets You Through The Night “Can you hear me mother?”
and here’s the Savile Row Rooftop “Can you hear me mother?”
Interesting isn’t it?!
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